Cobb: What is the most resilient parasite? Bacteria? A virus? An intestinal worm? An idea. Resilient... highly contagious. Once an idea has taken hold of the brain it's almost impossible to eradicate. An idea that is fully formed - fully understood - that sticks; right in there somewhere.
出自電影《潛行凶間》 的經典對白。
更多潛行凶間的經典對白
Cobb: What is the most resilient parasite? Bacteria? A virus? An intestinal worm? An idea. Resilient... highly contagious. Once an idea has taken hold of the brain it's almost impossible to eradicate. An idea that is fully formed - fully understood - that sticks; right in there somewhere.
Eames: You mustn't be afraid to dream a little bigger, darling.
Cobb: Dreams feel real while we're in them. It's only when we wake up that we realize something was actually strange.
Eames: If we are gonna perform Inception then we need imagination.
不要害怕放手，因為有些人只應該被留在過去，並不屬於你的未來。
當個想法一旦被深植在大腦，幾乎不可能被消除。
往下走是前進的唯一途徑。
真正的想法是假不了的。
Arthur: True inspiration is impossible to fake.
人在做夢時都覺得一切很真實，醒來後才發現某些事有點怪怪的。
當你建構出記憶裡的地方，就很容易分不清現實或夢境。
Cobb: Because building a dream from your memory is the easiest way to lose your grasp on what's real and what is a dream.
Ariadne: ...is ten years! Who would wanna be stuck in a dream for ten years? Yusuf: Depends on the dream.
你想豁出去試一試，或是變成一個老人，內心充滿悔恨，孤獨地死去？
Do you want to take a leap of faith or become an old man filled with regret waiting to die alone?
人在做夢時，防衛心會比較弱，想法很容易被偷走。
親愛的，我們不能害怕做更大的夢。
你在等一趟將要帶你去遠方的火車。你清楚這趟火車被期望開向哪裡，但你不能確定它最終將去到何方。但這沒關係，因為我們將在一起（因為你將同我在一起）。
Cobb: The smallest seed of an idea can grow. It can grow to define or destroy you.
哪怕是最小的意念也能生根，它能長大，從而成就你，或是毀滅你。
這是我們自己創造的世界，卻分不清真和假了。
Free yourself from the past; the only way to move forward is not to look back.
把自己從過去解放出來；前進的最好方法，是不要往回看。
Cobb: She locked away a secret, deep inside herself, something she once knew to be true... but chose to forget.
Saito: Don't you want to take a leap of faith? Or become an old man, filled with regret, waiting to die alone!
Yusuf: Did you see that?
Eames: If we are gonna perform Inception then we need imagination.
Fischer: Couldn't somebody have dreamt up a goddamn beach?
Cobb: I knew Inception was possible because I'd done it to my wife.
Saito: You remind me of someone... a man I met in a half-remembered dream. He was possessed of some radical notions.
Cobb: I think positive emotion trumps negative emotion every time.
Cobb: Never recreate from your memory. Always imagine new places!
Mal: Do you know what it is to be a lover? Half of a whole?
Eames: You mustn't be afraid to dream a little bigger, darling.
Cobb: Dreams feel real while we're in them. It's only when we wake up that we realize something was actually strange.
Ariadne: Why is it so important to dream? Cobb: Because, in my dreams we are together.
Arthur: Eames, I am impressed. Eames: Your condescension, as always, is much appreciated, Arthur, thank you.
Cobb: Inception. Now, before you bother telling me it's impossible... Eames: No, it's perfectly possible. It's just bloody difficult.
Cobb: That price on my head, was that dead or alive? Eames: Not sure. See if he starts shooting.
Maurice Fischer: Disa... disap... disappointed Fischer: I know, Dad. I know you were disappointed I couldn't be you. Maurice Fischer: No. No, no. I was disappointed... that you tried.
Eames: They come here every day to sleep? Elderly Bald Man: No. They come to be woken up. The dream has become their reality. Who are you to say otherwise, son?
Cobb: Very impressive. Cobb: I know this bridge. This place is real, isn't it? Ariadne: Yeah, I cross it everyday on the way to the college. Cobb: Never recreate places from your memory. Always imagine new places. Ariadne: Well, you gotta draw from stuff you know, right? Cobb: Only use details, a street lamp or a phone booth, never entire areas. Ariadne: Why not? Cobb: Because building a dream from your memory is the easiest way to lose your grasp on what's real and what is a dream. Ariadne: Is that what happened to you? Cobb: Hey listen to me. This has nothing to do with me. Understand? Ariadne: Is that why you need me to build your dreams?
Ariadne: That's some subconscious you've got on you, Cobb! She's a real charmer! Arthur: Oh, I see you've met Mrs Cobb.
Arthur: What about his security? It's gonna get worse as we go deeper. Cobb: I think we run with Mr. Charles. Arthur: No. Eames: Who's Mr. Charles? Arthur: Bad idea. Cobb: The second we get in that hotel with Fischer, his security is gonna be all over us. We run with Mr. Charles like we did on the Stein job. Eames: So you've done it before? Arthur: Yeah, and it didn't work. The subject realized he was dreaming and his subconscious tore us to pieces. Eames: Excellent. But you learned a lot, right?
Saito: Hey, I see you've changed. Peter Browning: Sorry? Eames: Saito: Ahh... I'm sorry. I mistook you for a friend. Peter Browning: Well, good-looking fellow, I'm sure. Eames: That's Fischer's projection of Browning. Let's follow him and see how he behaves. Saito: Why? Eames: Because how he acts will tell us if Fischer is starting to suspect him just the way we want him to.
Cobb: How's he doing? Ariadne: He's in a lot of pain. Cobb: When we get down to the lower levels, the pain will be less intense. Ariadne: And if he dies? Cobb: Worst case scenario? When he wakes up, his mind is completely gone. Saito: Cobb. I'll still honor the arrangement. Cobb: I appreciate that, Saito, but when you wake up, you won't even remember that we had an arrangement. Limbo's gonna become your reality. You're gonna be lost down there so long that you're gonna become an old man. Saito: Filled with regret. Cobb: Waiting to die alone. Saito: No. I'll come back. And we'll be young men together again.
Arthur: You. What the hell was all that? Cobb: I have it under control. Arthur: I'd hate to see it out of control.
Ariadne: These aren't just dreams. These are memories. And you said never to use memories. Cobb: I know I did. Ariadne: You're trying to keep her alive. You can't let her go. Cobb: You don't understand. These are moments I regret, the memories that I have to change.
Cobb: I miss you more than I can bear, but we had our time together. I have to let you go.
