Mick Jagger, Himself: The Hell's Angels were the people doing the security. So, you know, I thought that's the way they do things in San Francisco. You know, it was a very hippy-dippy thing. Charlie Watts, Himself: Except, these were actual, proper, Hell's Angels. It was a bit like asking the Nazi Party to sort out the fun at the auditorium. Keith Richards, Himself: When I got a bad vibe about it, when I saw the condition of the Angels. Now, I can tell these guys are on acid and ripple wine. And already in the early afternoon, they're startin' to get antsy. These guys are out there just lookin' for trouble. Now, I went "Uh-oh. This'll get ugly tonight." And it did.
出自電影《火力颶風》 的經典對白。
更多火力颶風的經典對白
Keith Richards, Himself: It started, man, on the first tour. Half way through it, things started to get crazy.
Brian Jones, Himself: After the success, its a first class ticket, you know, to a lot of - things.
Brian Jones, Himself: Let's face it, the future as a Rolling Stone is very uncertain.
Mick Jagger, Himself: The whole thing was out of control. I mean, all normality and control had gone. There was no - nothing.
Mick Jagger, Himself: I don't want to be my extrovert character all the time.
Keith Richards, Himself: Heroin can be a, sort of, state of suspended animation, really.
Keith Richards, Himself: Usually, it's the guy in the black hat that get's killed at the end, you know. Not this time, brother. Not this time.
Keith Richards, Himself: In a way the Stones saved me; because, one thing that was more important than smack was the band.
Mick Jagger, Himself: You see, you're thrust into the limelight in a youth oriented thing. It's not about growing up. It's about *not* growing up, in a way. Then, it's about bad behavior. Then, you're about bad behavior. So, then, you start behaving badly. Keith Richards, Himself: It's a weirdly situation. I mean, if you - If you did something wrong, even better. And the Beatles got the white hat. Keith Richards, Himself: What's left? The black hat.
Keith Richards, Himself: You've been thrown into this. I mean, you started being a blues player and then suddenly this fame thing comes in. And everybody has to handle that in their own way. Charlie hates it. Charlie's perfect world would to be in the Rolling Stones but except nobody gives a shit who you are.
Keith Richards, Himself: You just don't fuck with the Stones, you know. This is a simple rule, where it don't pay. Mick Jagger, Himself: You had this kind of fuck the world, you can do anything, attitude. For a moment, that was definitely there. I mean, you felt you're riding in a wave and all. Well, you can't be young forever.
Brett Morgen, Himself: Do you want to do a sound check? Mick Jagger, Himself: Yeah. One-two. One-two. One-two. - - One-two. One-two. One-two. Hello-hello-hello. Hello-hello. Brett Morgen, Himself: Okay. I think we're good. So, before we start, I just want to ask you, how's your memory?
Keith Richards, Himself: I'm amazed by it, myself. It's - Keith Richards, Himself: It's almost a fairy story, you know.
Dick Cavett, Himself: I went to Madison Square Garden to meet Mick Jagger, the singer with the group. A fascinating man. And he's been described variously as the supreme sexual object in modern western culture, the compound of menace and energy, a sadomasochistic freak and a pussy cat and various other things.
Dick Cavett, Himself: Say, I don't know if I'm supposed to see this, but, there was a plate of something going around here. People offering little pills. Mick Jagger, Himself: Vitamins and salt. Dick Cavett, Himself: Vitamins and salt pills. Mick Jagger, Himself: A, E, C, and salt. Drink the salt with plenty of water.
Keith Richards, Himself: It started, man, on the first tour. Half way through it, things started to get crazy.
Interviewer: Why do you think that most of your work is about dissatisfaction in song. Why do you think you're so popular? Mick Jagger, Himself: Because, most young people are dissatisfied. Interviewer: In what way? Mick Jagger, Himself: With the generation that they think is running their lives. Interviewer: What things are you dissatisfied with? Mick Jagger, Himself: The generation that runs our life.
Brian Jones, Himself: After the success, its a first class ticket, you know, to a lot of - things.
Keith Richards, Himself: It cemented our relationships with our generation, with the public. And it sort of gave us a badge of honor, in a way, you know. To me, it just made me like, okay now, now you know who I am. Basically, givin' me a license. You know, it was Jesse James time. I mean, the cops turned me into a criminal. You know, that's when I started to carry a shooter in America. Brett Morgen, Himself: So, the outlaw was born. Keith Richards, Himself: Yeah. Yeah, it was fully blown. That was when we really put the black hat on. You know, before that it was just sort of off-grey. Mick Jagger, Himself: I was born in a cross-fire hurricane; And I howled at the morning driving rain; But it's all right now, in fact, it's a gas; But it's all right. I'm Jumpin' Jack Flash; It's a gas, gas, gas...
Keith Richards, Himself: Well, in a way, I kind of felt that everybody else was writin' a script for me. "You're going to do what I can't." Okay. And that is a very easy role to slip into. And there's a slot available and it was just built for me.
Brian Jones, Himself: My ultimate aim in life is that to be a pop star. I enjoy it, with reservations. But, I'm not really sort of satisfied, either artistically or personally.
Brian Jones, Himself: Let's face it, the future as a Rolling Stone is very uncertain.
Brett Morgen, Himself: Was there a reason you didn't attend his funeral? Keith Richards, Himself: It was going to be too much of a circus. And, anyway, I didn't ever go to my mother's funeral or my father's. We didn't have one. We're like that in my family. You know, my dad is now an oak tree. We put his ashes where there's an enormous oak tree growing and every year he gets a little bit bigger. And my mum, she said, "Don't make no fuss over me, boy." "I promise I'll make no fuss, mum." And Hyde Park was the funeral.
Mick Jagger, Himself: We are giving a free concert in San Francisco. Interviewer: When? Mick Jagger, Himself: On December sixth. It's creating a sort of microcosmic society, which it sets an example, to the rest of America, as to how one can behave in large gatherings.
Mick Jagger, Himself: The whole thing was out of control. I mean, all normality and control had gone. There was no - nothing.
Mick Jagger, Himself: The Hell's Angels were the people doing the security. So, you know, I thought that's the way they do things in San Francisco. You know, it was a very hippy-dippy thing. Charlie Watts, Himself: Except, these were actual, proper, Hell's Angels. It was a bit like asking the Nazi Party to sort out the fun at the auditorium. Keith Richards, Himself: When I got a bad vibe about it, when I saw the condition of the Angels. Now, I can tell these guys are on acid and ripple wine. And already in the early afternoon, they're startin' to get antsy. These guys are out there just lookin' for trouble. Now, I went "Uh-oh. This'll get ugly tonight." And it did.
Mick Jagger, Himself: We were scared. I mean it was scary. And these people were crazy and they were like standing next to you and we didn't know how to control it, stop it. It was completely out of our control. It was just a nightmare. Keith Richards, Himself: Everybody was fuckin' scared, man. I mean, I'm sure it was far more frightening for the people in the audience than it was for us. Charlie Watts, Himself: What we should have done was just closed shop and gone home. But, you couldn't. You got 300,000 people out there that had come, you know. Keith Richards, Himself: It's a - It's a hard line to call, you know. I mean, if we'd a walked off, I think there'd a been a riot. So, I just did the best I fuckin' could, under a bad circumstances, you know. Mick Jagger, Himself: It was just realizing that you were out of control. The whole thing was out of control. If you were in any kind of arena or theater, you can just leave, you know, off stage. There wasn't - you were very aware you were, sort of, surrounded; so, you were very vulnerable too - so, that was the feeling. That's why you shouldn't have been in this situation. Keith Richards, Himself: And then, some bastard gets killed, you know.
Keith Richards, Himself: It's all a bit of a kaleidoscope. Keith Richards, Himself: I was definitely on another planet at the time. Everybody's got a different way of dealing. You know, I didn't for awhile. Keith Richards, Himself: I took to the stuff. As I say, I never had a problem with drugs. I did have a problem with cops. I'd been pushed up against the - my front door, while they're leaping out of the bushes. They were just harassing me, really. There was a definite move on. And while it became obvious, we had to make a decision, you know, okay, we're moving, you know. Mick Jagger, Himself: Keith always says he was chased out of England by the cops. Well, he may believe that; but, I mean, it's not actually true. But, the real reason the band left was money. Bill Wyman, Himself: We all thought that our taxes had been paid. We discovered in 1971 that we all owed in the region of a 100,000 pounds each. Mick Jagger, Himself: Income tax was so high that to earn the money to pay back the tax, we decided that we, the best way of doing that was to leave the UK. Bill Wyman, Himself: You know, we got shipped to France.
Brett Morgen, Himself: The band always thrives when there's... Keith Richards, Himself: Adversity? Keith Richards, Himself: I don't know, eh, probably by then, I mean, we felt very much like a, sort of, Pirate Nation to ourselves. And you dig in your heels and say, "We may go down, but, we're not going down your way, you know." Keith Richards, Himself: So you kind of got the bulldog comes out in ya.
Mick Jagger, Himself: It felt like an explosive mount. People felt this sensation that something was going that had never happened before - that they'd been waiting to happen. Keith Richards, Himself: And that was at that same time in London that all kinds of shit was hitting the fan and, of course, we joined in.
Keith Richards, Himself: It was a troglodyte existence down there. Nine, ten at night until seven or eight in the morning. The idea of playing a note before the sun went down was ludicrous - whenever you take Dracula time. Mick Jagger, Himself: My kind of structure is a loose structure. But, when you have no structure - it's really bad. Recording in the south of France was like that, because of all the drugs... Keith Richards, Himself: The junk was there to help me do the music. It gave me a space that I probably wouldn't have found otherwise.
