Aksel: I always worried something would go wrong, but the things that went wrong were never what I worried about.
出自電影《世界上最爛的人》 的經典對白。
更多世界上最爛的人的經典對白
Aksel: I always worried something would go wrong, but the things that went wrong were never what I worried about.
Aksel: If I regret one thing, it's that I never managed to make you see how wonderful you are.
Aksel: I wasted so much time worrying about what could go wrong. But what did go wrong, was never the things I worried about.
Julie: I feel like I never see anything through. I go from one thing to another.
Aksel: I have imaginary conversations with you.
Julie: I don't have anyone I can talk to the way we used to talk.
Julie: Everything we feel, we have to put into words. Sometimes, I just want to feel things.
Kristoffer: Mansplaining is when a 45-year-old man explains how things really are to a younger woman.
Eivind: People die of thirst in Chile because avocados need so much water.
Aksel: If he's a kind man, then go for it. With a kind father, and you as the mother, everything will be fine.
Narrator: She observed her fellow students. Norway's future spiritual advisers. Mostly girls with borderline eating disorders.
Eivind: She's not showing off her ass, she's doing yoga.
Julie: If men had periods, that's all we'd hear about.
Aksel: Most people have kids without sorting out their life first. They figure it out.
Julie: Relaxing is your specialty! You don't mind serving coffee till you're 50. But I want more!
Aksel: I always worried something would go wrong, but the things that went wrong were never what I worried about.
Aksel: If I regret one thing, it's that I never managed to make you see how wonderful you are.
Aksel: I wasted so much time worrying about what could go wrong. But what did go wrong, was never the things I worried about.
Aksel: I have imaginary conversations with you.
Julie: I feel like I never see anything through. I go from one thing to another.
Julie: I don't have anyone I can talk to the way we used to talk.
Julie: Everything we feel, we have to put into words. Sometimes, I just want to feel things.
Kristoffer: Mansplaining is when a 45-year-old man explains how things really are to a younger woman.
Eivind: People die of thirst in Chile because avocados need so much water.
Aksel: If he's a kind man, then go for it. With a kind father, and you as the mother, everything will be fine.
Narrator: She observed her fellow students. Norway's future spiritual advisers. Mostly girls with borderline eating disorders.
Julie: Can you be a Feminist and enjoy getting mouth-fucked?
Aksel: I'm sure I remember things about you that you've forgotten.
Eivind: She's not showing off her ass, she's doing yoga.
Julie: If men had periods, that's all we'd hear about.
Aksel: Most people have kids without sorting out their life first. They figure it out.
Julie: Relaxing is your specialty! You don't mind serving coffee till you're 50. But I want more!
Aksel: The World I knew has disappeared.
Aksel: I lied and said I forgot my sunglasses.
Aksel: So what is the problem? Julie: It's a combination of things, not just that. Aksel: I can see you're in a crisis right now. I can understand that. But if you love me, we'll sort it all out. Julie: Yes, I do love you. And I don't love you. Narrator: Julie felt that this sentence, the way she said it, her emphasis on certain words, summed up the impossibility of it all. Julie: I feel like a spectator in my own life. Like I'm playing a supporting role in my own life. Aksel: I get that you feel stuck. You need a change. But is this the solution? Julie: This is exactly my point. I'm trying to tell you how I feel, and you're defining my feelings.
Aksel: If we go on, I'll fall in love with you. Then it'll be too late. Maybe we should agree to... stop seeing each other. The problem is our age difference. I'm just afraid we'll fall into a vicious circle. You're much younger than I am. You'll start to question who you are. I'm past 40. I've entered a new phase. Whereas you still need time to find yourself. You don't need me waiting. You need to be completely free. I'm just afraid we'll hurt each other. Narrator: Later she said that was the precise moment she fell in love with him.
Marthe Refstad: Have you read your old Bobcat comics since you grew up? Because in our day and age, they seem so inappropriate and murky that we feel almost sick reading them. It's unpleasant to realize you created a character who gained popularity at the expense of women. Aksel: Okay, I get it. You're saying art should be pleasant? Marthe Refstad: Do you think it's art? I brought along some of your early comics. Bobcat is one thing, but then there's Dick Wolf Dick, Pedo the Parrot... Aksel: Right, I don't really think this is the right medium to explain comic book humor. Marthe Refstad: Have you ever considered that some of your readers may have been victims of incest or rape? Aksel: Do we stop creating because some people might feel bad? Artists get killed for drawing things others find offensive. They're shot. Journalist: Are you comparing Muhammad caricatures with drawings of women with big tits? Or with incest? What's your point? Aksel: Well, yes and no. Marthe Refstad: It's a bit of a cop-out to claim freedom of speech when people criticize you. We're discussing your work right now, so nobody's censoring you. As a woman, I'm upset. I'm offended, though we're not supposed to say that. Aksel: You have a choice. You don't have to feel offended. Marthe Refstad: It's not a choice. Aksel: This is very generational. One author cannot be held solely responsible. I think art has to be messy and free. It has to be a bit dangerous to be fun. I want art to be a form of therapy where I can express and work through all my unacceptable thoughts, all my darkest impulses. Marthe Refstad: But you're using your male privilege to mock people weaker than you. It's hardly art, or even humor. Sorry, it's not smart enough to be satire. Aksel: But this isn't about me. Like, when I create something, it's not just me talking. Marthe Refstad: I know that much. Aksel: Do you? Let's say I draw this interview as a cartoon. The comic version of me might call you a whore. It doesn't mean I think that. It could be a parody of a certain type of insecure male... Marthe Refstad: You used the word "whore"? Aksel: Yes, I said "whore". You're not interested in what I mean. Marthe Refstad: Can't you see that's crass sexualization? Journalist: I think we're on a slippery slope here. Aksel: All you post-feminists are so fucking self-righteous! Journalist: Thank you, Marthe Refstad and Aksel Willmann. Marthe Refstad: The term is "sex worker" now, by the way.
Julie: What do you remember from here? Aksel: I remember these colours. They were always my reference when I drew my comics. These coulours.
Julie: I don't want to be the sensible choice while she's the sexy one. Eivind: There's nothing sensible about you.
Aksel: She's just shy. Julie: That's what you say about boring people.
Julie: Did you get the article I sent you? Per Harald: Yeah, I was about to ask you. I couldn't get the link to work. My PC acts up. Know anything about computers? Aksel: I can take a look. But can't she just resend the email? Per Harald: Wasn't there a... Did she send it in an email? Aksel: An attachment to an email. Per Harald: No, I pressed the button on the mouse. Then I put the arrow on the square. I tried twice, then it vanished.
Eivind: My secret will be dumb now. I guess I misunderstood. I was going to say I like the Barcode Project. It looks pretty from the bridge when I go to work. Julie: I expose my darkest secrets, and you... Eivind: You said secrets, not darkest. Julie: So why is that a secret? Eivind: Because everyone thinks it's ugly.
Karianne: Is there anything you'd like to do, as a career? Ole Magnus: Questions, questions, Karianne. That question was vulgar when we were students.
