Marie: Tell me I'll never have to be out there again. Jess: You will never have to be out there again.
出自電影《90男歡女愛》 的經典對白。
更多90男歡女愛的經典對白
愛情是燈，友情是影子， 當燈滅了，你會發現你的周圍都是影子。 朋友，是在最後可以給你力量的人。
Love is a lamp, while friendship is the shadow. When the lamp is off,you will find the shadow everywhere. Friend is who can give you strength at last.
當你意識到自己想要與一個人共度餘生的時候，你會希望你的餘生盡快開始。
Older Woman Customer: I'll have what she's having.
Harry Burns: It is so nice when you can sit with someone and not have to talk.
Sally Albright: You see? That is just like you, Harry. You say things like that, and you make it impossible for me to hate you.
Marie: Everybody thinks they have good taste and a sense of humor but they couldn't possibly all have good taste.
Jess: No one has ever quoted me back to me before.
Harry Burns: You know, I have a theory that hieroglyphics are just an ancient comic strip about a character named Sphinxy.
Sally Albright: You know, I'm so glad I never got involved with you. I just would have ended up being some woman you had to get up out of bed and leave at 3: 00 in the morning and go clean your andirons, and you don't even have a fireplace, not that I would know this.
Sally Albright: I am not your consolation prize, Harry.
Jess: Draw SOMETHING resembling ANYTHING.
Marie: Someone is staring at you in "personal growth".
Jess: Draw SOMETHING resembling ANYTHING.
Jess: Marriages don't break up on account of infidelity. It's just a symptom that something else is wrong. Harry Burns: Oh really? Well, that "symptom" is fucking my wife.
Harry Burns: You realize of course that we could never be friends. Sally Albright: Why not? Harry Burns: What I'm saying is - and this is not a come-on in any way, shape or form - is that men and women can't be friends because the sex part always gets in the way. Sally Albright: That's not true. I have a number of men friends and there is no sex involved. Harry Burns: No you don't. Sally Albright: Yes I do. Harry Burns: No you don't. Sally Albright: Yes I do. Harry Burns: You only think you do. Sally Albright: You say I'm having sex with these men without my knowledge? Harry Burns: No, what I'm saying is they all WANT to have sex with you. Sally Albright: They do not. Harry Burns: Do too. Sally Albright: They do not. Harry Burns: Do too. Sally Albright: How do you know? Harry Burns: Because no man can be friends with a woman that he finds attractive. He always wants to have sex with her. Sally Albright: So, you're saying that a man can be friends with a woman he finds unattractive? Harry Burns: No. You pretty much want to nail 'em too. Sally Albright: What if THEY don't want to have sex with YOU? Harry Burns: Doesn't matter because the sex thing is already out there so the friendship is ultimately doomed and that is the end of the story. Sally Albright: Well, I guess we're not going to be friends then. Harry Burns: I guess not. Sally Albright: That's too bad. You were the only person I knew in New York.
Harry Burns: You take someone to the airport, it's clearly the beginning of the relationship. That's why I have never taken anyone to the airport at the beginning of a relationship. Sally Albright: Why? Harry Burns: Because eventually things move on and you don't take someone to the airport and I never wanted anyone to say to me "How come you never take me to the airport any more?" Sally Albright: It's amazing. You look like a normal person, but actually you are the angel of death.
Sally: He just met her... She's supposed to be his transitional person, she's not supposed to be the ONE. All this time I thought he didn't want to get married. But, the truth is, he didn't want to marry me. He didn't love me. Harry: If you could take him back now, would you? Sally: No. But why didn't he want to marry me? What's the matter with me? Harry: Nothing. Sally: I'm difficult. Harry: You're challenging. Sally: I'm too structured, I'm completely closed off. Harry: But in a good way. Sally: No, no, no, I drove him away. AND, I'm gonna be forty. Harry: When? Sally: Someday. Harry: In eight years. Sally: But it's there. It's just sitting there, like some big dead end. And it's not the same for men. Charlie Chaplin had kids when he was 73. Harry: Yeah, but he was too old to pick them up.
Sally: When Joe and I started seeing each other, we wanted exactly the same thing. We wanted to live together, but we didn't want to get married because every time anyone we knew got married, it ruined their relationship. They practically never had sex again. It's true, it's one of the secrets that no one ever tells you. I would sit around with my girlfriends who have kids - and, actually, my one girlfriend who has kids, Alice - and she would complain about how she and Gary never did it anymore. She didn't even complain about it, now that I think about it. She just said it matter-of-factly. She said they were up all night, they were both exhausted all the time, the kids just took every sexual impulse they had out of them. And Joe and I used to talk about it, and we'd say we were so lucky we have this wonderful relationship, we can have sex on the kitchen floor and not worry about the kids walking in. We can fly off to Rome on a moment's notice. And then one day I was taking Alice's little girl for the afternoon because I'd promised to take her to the circus, and we were in the cab playing "I Spy" - I spy a mailbox, I spy a lamp-post - and she looked out the window and she saw this man and this woman with these two little kids. And the man had one of the little kids on his shoulders, and she said, "I spy a family." And I started to cry. You know, I just started crying. And I went home, and I said, "The thing is, Joe, we never do fly off to Rome on a moment's notice." Harry: And the kitchen floor? Sally: Not once. It's this very cold, hard Mexican ceramic tile.
Marie: Tell me I'll never have to be out there again. Jess: You will never have to be out there again.
Harry Burns: I miss her. Sally Albright: I don't miss him. I really don't. Harry Burns: Not even a little? Sally Albright: You know what I miss? I miss the *idea* of him. Harry Burns: Maybe I only miss the *idea* of Helen... No, I miss the whole Helen.
Jess: "Baby talk"? That's not a saying. Harry Burns: Oh, but "baby fish mouth" is sweeping the nation? I hear them talking.
Harry Burns: You know how a year to a person is like seven years to a dog? Sally Albright: Is one of us supposed to be a DOG in this scenario? Harry Burns: Yes. Sally Albright: Who is the dog? Harry Burns: You are. Sally Albright: I am? I am the dog? I am the dog?
Harry Burns: Repeat after me. Pepper. Sally Albright: Pepper. Harry Burns: Pepper. Sally Albright: Pepper. Harry Burns: Waiter, there is too much pepper on my paprikash. Sally Albright: Waiter, there is too much pepper on my paprikash. Harry Burns: But I would be proud to partake of your pecan pie.
Harry Burns: And was it worth it? The sacrifice for a friend you don't even keep in touch with? Sally Albright: Harry, you might not believe this, but I never considered not sleeping with you a sacrifice.
Waitress: What can I get you? Harry Burns: I'll have a #3. Sally Albright: I'd like the chef's salad please with the oil and vinegar on the side and the apple pie a la mode. Waitress: Chef and apple a la mode Sally Albright: But I'd like the pie heated, and I don't want the ice cream on top, I want it on the side, and I'd like strawberry instead of vanilla if you have it. If not, then no ice cream, just whipped cream but only if it's real. If it's out of a can, then nothing. Waitress: Not even the pie? Sally Albright: No, just the pie, but then not heated.
Marie: Restaurants are to people in the 80's what theatres were to people in the 60's. I read that in a magazine. Jess: I wrote that. Marie: Get out of here. Jess: I did, I wrote that. Marie: Where did I read that? Jess: New York magazine Harry: Sally writes for New York magazine
Sally Albright: Is Harry bringing anybody to the wedding? Marie: I don't think so. Sally Albright: Is he seeing anybody? Marie: He was seeing this anthropologist, but... Sally Albright: What's she look like? Marie: Thin. Pretty. Big tits. Your basic nightmare.
Harry Burns: What does this song mean? My whole life, I don't know what this song means. I mean, 'Should old acquaintance be forgot'. Does that mean that we should forget old acquaintances? Or does it mean that if we happened to forget them, we should remember them, which is not possible because we already forgot 'em? Sally Albright: Well, maybe it just means that... we should remember that we forgot them, or something. Anyway, it's about old friends.
